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Text by Yossi Waxman for the group exhibition "The Artists Family", 2018
Participants: Ben Simon, Yossi Waxman, Lena Zaidel, Oded Zaidel, Agripas 12 Gallery, Jerusalem
Curators: Lena Zaidel, Yossi Waxman

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Lena Zaidel, The Artists Family 2, 2018, Dry pastel on paper, 67X164



The Artists Family /Yossi Waxman

What is a family portrait? Is it a cherished picture of a single core family? Or perhaps specifically not. Usually, when we think of a family portrait, photos of our near and distant past immediately pop up and rise into our minds eyes: around the holiday table, on a trip into nature, at the beach, at Grandma and Grandpas house, etc., etc.

What is the ultimate family portrait? It may be a picture that has become an icon for the family, that has gone beyond the category of the banal, the everyday, and entered into the category of the holy, the eternal.

Is this how we feel about the pictures that have come down to us from our grandparents homes, pictures that were hanging for generations in the living rooms of the family?
Perhaps these are pictures that are even more primal, more tribal. These may depict scenes of the beginnings of a new tribe, a new people, or a new religion. Is there any more ultimate and more holy (and more painted) family than the family of Miriam and Joseph of Nazareth? This family has gone through so many transformations and has adopted so many different appearances. We all know well the scene of the birth in the manger, or the Crucifixion in the Calvary from imaginative portraits. There always appears the father, the mother and the son. As time passed, though, in addition to the core family, portraits of the underwriters of the paintings were added usually outside of the picture, to the right or to the left, as if they sought to be also included in this family, or at least to bask in its holiness.

In this exhibition, "The Artists Family," are four presentations depicting different perspectives of a family portrait.

Lena Zaidel places her family within a painting of hers from 12 years ago. In this imaginary scene of the streets of Jerusalems Old City, near the wretchedness and filth on the ground is seen the artists painting materials on the table pastel chalk and spray cans. Does this mean that the artists family is essentially holy? Lena-Miriam is standing in the back, holding a flower pot that perhaps symbolizes the holy spirit, while sitting in front of her are Oded-Joseph, the father, and Neta-Jesus, the daughter. In the painting are also the artists/mothers soul-wolves cuddling with the father and the daughter, as if they seek to get the family to sense with their fingertips the artists beatings on their black furs.

Ben Simon places in his painting figures that are not his family members, but persons that were born literally on the canvas around the festive table in the sukkah. Here is a near symmetrical scene that may bring to mind da Vincis famous scene of the Christian Last Supper. Simon painted images of people who have no family ties between them, and as such, observers are able to see themselves as these figures and participate with the painted family. Is this sort of an ultimate family portrait?

Oded Zaidel elevates the banal perpetuated as a typical "selfie" scene. Here the familys mother extends her arm holding a cellphone and captures a family moment. The three appear in the painting: the mother, Lena; the father, Oded; and the daughter, Neta, and this image will immediately be uploaded to their Facebook page. Is this meant as a challenge, or perhaps it is specifically compassion, or maybe it is a dialogue with his wife Lenas "holy family"?

Yossi Waxman chooses to present a family album of eight portraits. This album seems to depict the stages of creating a family: a wedding, a birth, childhood, teenage years, old age the life cycle in which the mundane takes place, but also the moments when apparent "holiness" is present. Why is the bride weeping, and why does the child before the Chanukah candles have a sour face? The portraitist as family member catches different moments and memories for posterity.
Yossi Waxman


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Lena Zaidel,The Artists Family, 2017, Dry pastel on paper, 106X172



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Oded Zaidel ,Selfie 1, 2018, Acrylic on canvas, 45x120 Oded Zaidel ,Selfie 2, 2018, Acrylic on canvas, 45x120


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Ben Simon, Visiting the Horses, 2017, Oil paint on canvas, 74x174


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Ben Simon, Succah Group, 2015, Oil on plywood panel, 150x170

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Yossi Waxman, My Living Ones and My Departed Ones, 2017-2018, Acrylic and lacquers on canvas, 185x205


To the photos from the exhibitionThe Artists Family,2018, fromAgripas 12 Gallery-Click here


 

Lena Zaidel, 2023

Rina Genussov, 2022

Nava T. Barazani 2022

Michal Shaknai Yakobi 2022

Lena Zaidel, Sasha Okun 2021

House on the Bridge 2021

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Lena Zaidel 2020

Barry Davis 2020

Bat-Sheva Dori 2020

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Rina Genussov 2019

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Yossi Waxman 2018

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Shosh Averbukh 2017

Gideon Ofrat 2017

Alejandera Okret 2017

Lena Zaidel 2007-16

S. Ish-Shalom Award 2016

Oded Zaidel 2015

Gideon Ofrat 2013

Albert Suissa 2013

Karine Levit 2013

Yonatan Amir 2012

Zeev Bar-Sella 2012

Shosh Averbukh 2008

Zeev Goldberg 2007

Monica Lavi 2006

Leviathan Group


 
 
Measurements are given in centimeters, height width
All the reproduction photos of Lena Zaidel's artworks in this website,
are taken by Michael Amar, unless otherwise noted.
  

All rights reserved to Lena Zaidel copyright 2008-2023